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Ameera Atlantis

Ameera Atlantis Group

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Download Waves Req 2 Band Vst WORK

This is the best EQ I own (that includes waves and fabfilter plugins) It sounds just as good as the offerings from major players, the controls are intuitive and no copy protection gets in my way.10/10

download waves req 2 band vst

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Demoing this after bought 31 Mk2, it has been quite sometime im looking for alternative graphic EQ since i been using stock plugin for so long. Try i for few minute, impressed with the clarity, love the saturation on individual bands concept and the analog button behaviour is what make me instantly purchase it. Not the analog curve im looking for but the behaviour, love it.

Oh Yes!I downloaded a bunch of Channel EQ's to try out in my quest for a more, fully featured alternative to REAPER's fine ReaEQ built in plugin.The Hornet TotalEQ was an instant favourite, it's just so simple, powerful and intuitive. The dynamic filter section is especially handy. The analogue saturation is suitably subtle and adds another flavour. This plugin ticks many more boxes that I could wish for. Big thanks Saverio!

This is EQ is quickly becoming my favorite. (Bye bye Waves REQ!) 2 things I would like to see added to future updates. 1) the ability to highlight multiple bands and move the gain up/down. 2) Default to a bell curve when creating a new band.

This easy to use standalone application automatically calculates velocities, features a resizable GUI with retina support, and utilizes optimized AAMG profiles for enhanced natural playback. Along with loads of other improvements, the new Instrument Editor lets you create better samples in less time. All Trigger 2 users can download the instrument editor from the Steven Slate Audio Center.

TDR Kotelnikov by Tokyo Dawn Records is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. Suitable for stereo and drum buss applications as well as mastering (The Kotelnikov is a somewhat secret weapon of mastering engineers).

Multiband upwards/downwards Compressor developed by the genius Steve Dud of Xfer Records. As used by the likes of Deadmaus, Virtual Riot, Noisia. Drop this on your synth channel or even your master bus and be blown away with the results.

Luftikus is a digital adaption of an analog EQ (MAAG 4) with fixed half-octave bands and additional high frequency boost. The EQ has half-octave bands at 10, 40, 160 and 640 Hz, completed by a high shelf at 2.5 kHz. For adding sparkle to recordings a further high frequency boost at 2.5, 5, 10, 20 and 40 kHz can be used.

NOVA by Tokyo Dawn Records is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, each band also includes a full featured dynamics section allowing the processor to cover an impressively wide range of applications.

SonEQ is an excellent free 3-band equalizer plugin that takes elements from vintage gear and combine them into one. 2 Musical Filters, High-Pass Low-Pass and a Preamp stage with bass booster (Pultec style). Put this on your drum buss for some sweet, super smooth analog high end boosting.

Another amazing free VST from Soundhack with deep parameter control. ++phasor is a multistage phase shifter that has outputs for 360, 720, 1140 and 2880 phase shifting (1, 2, 4 and 8 notch). bandwidth, central frequency, feedback, and modulator parameters can be adjusted.

Pink4 is based on a collection of well-known American studio gear from the late '60s that is still being used by engineers all around the world. It boasts 6 different EQ models, a super flexible dynamic section - comprising a single band and a multi-band compressor - plus a complete collection of preamp emulations which include 16 different line-level channels and 9 extra custom preamps.

Kirchhoff-EQ is an ultimate 32-band parametric EQ plugin built for all critical professional applications. It has refined sound quality, analogue-matched curves, 15 filter types with continuously variable shape and 32 vintage EQ types modeled from real-world devices. The builtin dynamic processing functions are highly flexible and have ultra-low distorion. All these push Kirchhoff-EQ to a next-generation standard.

A technology called "Psychoacoustic Adaptive Filter Topologies" has been deployed in Kirchhoff-EQ. Filter structures change themselves to a "best fitting" state along with corresponding band frequency changes, resulting in optimized sound quality in both low and high frequencies.

The zero-latency and linear phase modes have a very different sound. Kirchhoff-EQ provides a mixed mode that uses zero-latency when the band frequency point is low, and uses linear phase when it is high. Each band could be changed smoothly between minimum and linear phase mode according to their frequency.

Dynamic functions in Kirchhoff-EQ are not just a bonus, they provide the richest functions you have ever seen. Enabling you to achieve unlimited possibilities of dynamic EQ functions. All filter types (except low/high pass, band pass and notch), even these vintage-modeled ones, can be applied with dynamic functions.

You can now control how dynamics react to the portion of the signal above/below threshold concurrently. In Kirchhoff-EQ, the "Above" stage works as a compressor or upward-expander, and the "Below" stage works as an expander or upward-compressor. For example, you can raise the signal below the threshold AND compress the signal above the threshold to "stabilize" a band.

Let us imagine a simple case: we are playing an audio clip in which sounds around 1khz are 9 dB. You may think "The 1khz range is over powering, We should reduce at 1khz." But we should also consider the overall level. If the whole audio is 30 dB, you would not feel that 1khz is too much, instead you may feel it's not enough. The better criteria to determine whether a band's volume is high or low is its relative portion in overall volume envelope, instead of only its absolute dB value.

Thereby we introduce "Detect/Relative Envelope Detection" in Kirchhoff-EQ. The dynamics are affected by both current frequency band and relative portion to a "Relative" band. The contribution of Relative Envelope Detection to dynamics is also adjustable: when set to 0%, it degrades as a normal dynamic EQ; and when set to 100%, the amount of dynamics is fully calculated from the relative portion.

UX: Do you want to feel like a legendary, old-school producer or engineer? This UX will get you there. True to the original channel strip, the EQ on the SSL 4000 E Series features four adjustable bands plus HP and LP filters.

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